![]() Wikipedia is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization. Please tell me what the fuck is wrong with these bitches Ima tell you right now you aint worth shit All you do is sit at home takin selfies And post them like it was your work shift Your gram is full of all these evil memes To niggas lie you dont deserve it Thats why niggas aint fuckin with you Cause we see that you dont have a. If necessary, click Advanced, then click Format, then select Single, then click SEARCH. Listen to False Advertisement by Hopsin, 21,657 Shazams. ![]() Im just going to do me and thats not going to change. It was more just his point of view from the situation and him just telling his opinion. There was no hard feelings in the interview as Hopsin said, It wasnt disrespectful. I am immeasurably thankful for everything youve done for me Hop. Thought I would do a little video for yall and you can listen to one of my favorite rappers Hospin I am a huge fan of his Ill mind albums I relate so much to. You are a profound inspiration, a musical genius, and will always be one of my favourite artists. Its really sad things have ended the way they did, but it is what it is. ![]() SwizZz stated in an open letter to Hopsin on Facebook stating Were both aware that our friendship has run its course for now. SwizZzs response track was produced by himself and DJ Hoppa. In SwizZzs response, he talked about his side of the story of Funk Volumes breakup, while dissing Hopsin and defending his brother Dame at the same time. Since its release, the video has received over 72 million views. This, therefore, prevents Hopsin from obtaining previously unreleased material still owned by Funk Volume, following the rappers departure. The song details the recent monetary disputes that had occurred during the later stage of Hopsins time at Funk Volume, with Hopsin claiming when he created Funk Volume, he was manipulated by Ritter to make him own 50 of the record label. The song peaked at number 21 on the Bubbling Under Hot 100 Singles chart, which became Hopsins highest charting single to date. The song is also the debut single by Hopsins new independent record label, Undercover Prodigy. The song serves as a diss towards Funk Volume co-founder, Damien Ritter, who Hopsin claims is the reason why he left the label. The song was released on March 8, 2016, 1 and is the eighth installment in Hopsins Ill Mind of Hopsin series. He takes the cash and blows it all at casinos (Damn) Uh-oh, when I bring up my royalties. He also calls him a “New age Jerry Heller” (NWA’s manager who stole money from their label Ruthless Records) Watch Hopsin tell it all in this recent interview.Hopsin Ill Mind Of Hopsin 8 Download By chronconcispcont1986 Follow | Public In your benefit-your honor, Im innocent This nigga crazy, Im tellin all of my people (You tell em) He takin all of my C-Notes (Its true) See, he has a gamblin issue. Hopsin at one point of the song says “You on that same bullshit Tomika brought”, referencing his complications with Eazy’s wife, Tomica Wright, while his time at Ruthless Records. Like anything else in the world, the problems occurred because of money. In true ILL Mind fashion, Hopsin holds nothing back, giving Ritter hell and detailing to his fans what caused his sudden leave. ![]() 52 Ill Mind of Hopsin 7 2015: 53 Ill Mind of Hopsin 8: 54 Ill Mind of Hopsin 9. This leads us to one of the best diss records i’ve heard in a while, ILL Mind Of Hopsin 8. Hopsin has released four studio albums, Gazing at the Moonlight through. He bashed him numerous of times and threatened to leave the group unless Ritter leaves. Hopsin tweeted earlier this year that there have been some tension between him and Funk Volume co-founder Dame Ritter. Well, that’s unless you’re talking about literally the shortest rap beef ever between Tyler the Creator and Hodgy Beats, that ended with an awkward yet typical OF video.įunk Volume, however, handled their drama a little differently. The only difference with Odd Future is that there was never a legitimate beef between any of OF’s members or management. Every teenage fanboy must be in a crazed hysteria right now.
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The game has a real-time Day/Night System that’s vastly faster than ours and it’s also moving in 10 Minute increments. Rune Factory 4 Special made a comparatively better compromise by making it available from the very beginning but limited to your house and soon airship but that’s only a minor inconvenience for having it early available. Once you have it, it’s pretty powerful because you can use it anywhere. Then there’s another issue of getting the option of fast travel very late in the game because it’s optional and you have to go very deep into the mines to get the item. It’s also not possible to directly equip a tool and you can only swap places which are rather a contra-productive. It wouldn’t be much of an issue if it weren’t for the unnecessary animation where your character shows it off every single time. The tool selection is limited to left and right, which means you’ll have to go through a whole set of tools before getting to the one you’re looking for. There are a few nitpicks worth mentioning in regards to overall controls. Use the Y Button to check the shops opening hours.Īs you can see, there are quite a few buttons used as shortcuts or alternatives/modifiers for certain actions.
![]() Other are worried that, without any proper regulations, many late actors and historical figures might be 'digitally resurrected' without the explicit consent of their relatives. Some online platforms, for example, are actively trying to ban all non-consensual deepfake videos. While waiting for legislators, many websites have already taken a stand against deepfakes. There has been a lot of discussion about deepfakes, and the political and legal implications they might have. What does the future hold for deep fakes? There are so many positive ways in which deepfakes could be used to make our life better - and that is why this is a technology that needs to be understood, not just feared. It's likely AI will be featured heavily in the movie industry, slowly replacing makeup and costumes.ĭeepfake-related technology could also be used in the near future to dub actors in other languages, as it happened in the video in which David Beckham delivered his malaria awareness message in nine languages thanks to AI.īoth the gaming and fashion industries might also benefit from this, allowing players and customers to create custom avatars with their actual faces.ĪI could also be used to help patients who are struggling to accept their body image, allowing them to see a version of their body they are more comfortable with. With these techniques becoming more accessible and reliable, it is not hard to imagine a future in which deepfakes will be just another tool in video editing programs. Many researchers are currently working to advance our understanding of AI, and how it can be used to edit videos and images. Bullying does not need to be photo-realistic to be effective. It is very important to understand that that is not OK, even if the final result is not believable. ![]() Studios, in fact, often rely on AI-based techniques to achieve those effects - although a lot of the work in the movie industry is still done manually.ĭeepfakes have often been used to create pornographic content without the direct consent of the people involved. ![]() While these applications are not technically classified as deepfakes, they are often presented as such in the media. Jackson and Clark Gregg have been digitally de-aged by approximately 25 years in Captain Marvel.Īlthough with less success, it is often possible to 'digitally resurrect' late actors by reconstructing their appearance from scratch - this was the case of Peter Cushing, who appeared in the 2017 Star Wars installment Rogue One, despite having passed away in 1994. Digital de-aging, for instance, is particularly popular: Samuel L. If we look more broadly at digital face editing, this is something that is heavily employed in the movie industry. The process of creating a deepfake video requires many pictures of a person's face, which makes celebrities particularly vulnerable. The vast majority of deepfakes circulating the Internet are featuring celebrities and politicians - something that has worried many. The term deepfake is now generically used by the media to refer to any video in which faces have been either swapped or digitally altered, with the help of AI - a bit like how people use the brand names Kleenex or Hoover to refer to any tissue or vaccum cleaner. Not all use AI, but some do: deepfake is one of them. Nowadays, there are several different ways to swap faces in a very realistic way. In a nutshell, neural networks are a type of machine learning technique that bears some resemblance to how the human brain works. The 'deep' bit comes from Deep Learning, a branch of AI that uses something known as neural networks. ![]() In 2017, a few posts emerged on Reddit, showing how it was possible to use Artificial Intelligence to seamlessly swap faces in videos. That technology has been around for many years, but has rarely produced believable results. If you are active on social media, you might have seen many apps and filters used to swap faces in pictures and videos. Let's start with the basics: what is a deepfake? ![]() The same has been said of Mad Men’s Peggy and Joan, as a get-out-of-sexism free card for the creators, but I don’t buy ‘women as true/secret/sleeper heroes’ precisely because of the long history of unrounded woman characters.Ĭoyotito - their baby (At first I thought Coyotito referred to a bird! Just me?) The viewpoint character is Kino, Steinbeck spends the first chapter getting us to side with Kino, and Juana remains unrounded. I disagree that Juana is ‘the true hero’. They only survived each scenario because of her and her ideas. In …The Pearl, Juana is the true hero of the story whose place is behind her man until the end, when they walk “side by side” when before, she always had to walk behind him. If only she weren’t under the thumb of her husband, who knows best according to the laws of patriarchy, they could’ve returned the pearl to the sea and their baby would have lived.īecause of the Female Maturity Formula, authors like Steinbeck are often let off the hook, because, as the following Goodreads commenter says: She realises the evil in the pearl much earlier in the story, functioning as a Cassandra character. Juana is your classic Female Maturity Formula. Juana - Kino’s obedient wife who has recently given birth to their first baby. Owns a canoe and spends his days diving for pearls and fishing to feed his family. ![]() Kino - small build, wears a suppliant hat, native to Mexico, no money. Heinemann 1948) Illustrations by Vera Jarman CHARACTERS OF “THE PEARL” The Pearl (John Steinbeck – originally published by W. Bad deeds are carried out by imperfect humans. The oversized pearl itself is blamed, when in fact pearls are just pearls. The illusion of causality is at work in Steinbeck’s “The Pearl”, too, as humble villagers are corrupted by greed as soon as they come into some material good fortune. If everyone were affected by the same cognitive bias as my father we wouldn’t see older women walking around with hands full of inherited rings. That’s how inheritance works, of course - a ring isn’t passed down until its owner dies. Obviously, to his mind, the ring itself is bad luck. First it belonged to an auntie of his - an auntie who died. I never see that ring again, because my father insists it’s cursed. A year or so later, Nana is killed by a car while crossing the road to buy milk at the dairy. Nana goes to her bedroom, comes back with a ring and says, “See this ring? That’s yours when I die.” I can’t really see the ring from where I sit on the floor, but I nod obediently. I’m four or five, sitting on the carpet in the living room at my Nana’s house. This story reminded me of a half-forgotten memory. ![]() dumps film deals on Hollywood investors." Reuters. "Entertainment Industry Economics." Cambridge University Press. The Motion Picture Association of America."Why everyone lies about their movie's budget." The Los Angeles Times. "Hollywood re-thinks use of A-list actors." Reuters. ![]() "A Movie's Budget Pops From the Screen." The New York Times. You never know - and that's entertainment!įor lots more information on the movie industry, take a look at the links below. The next big thing could be a low-budget comedy or a $250 million special effects extravaganza. Every film is a unique product (even sequels) that enters an ever-changing market. With all that money flying around, you'd think that studios could at least spot a potential hit. James Cameron, who more or less invented the super-budget special effects genre with "Titanic," developed his own 3D technology for "Avatar" - and paid $14 million of his own money to do it. For "Transformers 2" ($225 million), special effects powerhouse Industrial Light and Magic used 40 full-time animators. Not surprisingly, the most expensive movies of the past 20 years have had the biggest special effects budgets: "Spiderman 3" ($258 million), "Harry Potter and the Half-Blood Prince" ($250 million), and "Superman Returns" ($232 million) top the list. Icons like Denzel Washington and Tom Cruise are taking pay cuts up front in exchange for a bigger cut of DVD sales and distribution deals on the back end. Once a star has a few mega-hits under his or her belt, they're usually welcomed into the exclusive $20 million per movie club - although membership isn't a lifelong privilege.Īfter a series of relatively star-free hits like "Transformers," "Star Trek," and "The Hangover," - plus a growing list of superstar flops like Will Farrell's "Land of the Lost" and Julia Roberts' "Duplicity" - studios are starting to see the light. The rationale is simple: Stars sell more tickets and are more recognizable or marketable to international audiences. So if a movie costs $100 million to make, you'll need an additional $50 million to sell it.įor studio films, the traditional "safe bet" is to spend major money on a big-name actor. When calculating a marketing budget, the rule of thumb is to spend 50 percent of the rest of the production costs (pre-production, filming and post-production). Few studios would sink 80 million into an R-rated thriller movie, Scorsese-attached or not. That strategy seems to work: "Spiderman 3" made 45 percent of its total gross ticket sales in its opening week, while "X-Men: The Last Stand" made 52 percent of its money in its first week of release Though he's known for his violent gangster movies, Scorsese entered the 2010s with a surprisingly PG-13 thriller, and that rating might have been one of the compromises to get such a high budget. ![]() Big money is spent on trailers, TV ads, billboards, and Web sites to pack people in on opening weekend. Marketing makes up a huge chunk of modern movie budgets - $35.9 million on average - largely because the fates of many Hollywood releases are sealed in the first week. |
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